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“I was very proud of my time there, and I enjoyed it, even though I wish it had moved with the times a little bit more,” de Gallaí says.“I was very fortunate to be a part of it, but as I left and moved on, I wanted to not do that.” An MA in ethnochoreology and a performance-based Ph D followed de Gallaí’s time with Riverdance; critically acclaimed pieces such as his Irish dance version of Stravinsky’s ballet Rites of Spring, and 2011’s Noctú followed, and he founded his own dance company, Eiriú.It goes to some quiet places, and puts a demand on its dancers for emotional intelligence and personal progression that is more commonly seen in contemporary dance.Aon also draws on many elements more familiar from the Tanztheater tradition: the use of props, song, characterisation and dancers’ voices.

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I loved it so much I would have bought a copy on the spot leaving the theatre to have as my own.I went to this movie hoping for a fun enjoyable romantic comedy.

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